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Welcome to the website. It's been a long time coming.

This one primarily has two components. One is the recorded music in which I've been involved, from Bruno Gerussi's Medallion in 1989 to the current Lumpy. I aim to tell stories about the bands and songs.

Two is my writing. This comes in blog form and either are columns I've written for The Province that, for one reason or another, the newspaper didn't publish, pieces intended as editorials, or short examples of absurd humour I wrote on a whim. For now, these blogs are old but here, too, I aim to write more. Unless someone stops me.

Tom

My latest article

Mea Culpa

I’m still upset about it.

I reviewed Cold­play, April 21, and in the process slagged the open­ing act. That’s ok; if I didn’t like ‘em, I didn’t like ‘em.

The trou­ble is, I got the wrong act. The band I thought was The Pierces was actu­ally Metron­omy. Con­se­quently, The Pierces are upset, I’m upset that The Pierces are upset and I’m sur­prised by how much this blun­der has upset me.

In all the years of review­ing, I’ve never made this mis­take and, the way I nor­mally work, never thought I would. If I wanted to ratio­nal­ize this, I’d say it was bound to hap­pen. When it did, I lost sleep and spent a long time won­der­ing how I could rec­tify the situation.

I have excuses pre­pared. First, I spent all my time get­ting closer to Cold­play at the expense of the open­ing acts. I’d seen Cold­play twice before but never felt  either review cap­tured the point the band was at. I lis­tened to the cur­rent album inces­santly, made notes, read what I could. The sub­se­quent review of the April 21 show had me feel­ing good; per­haps I’d finally given Cold­play  its due. Then, the mis­take was pointed out. I felt ter­ri­ble, espe­cially since I’d tried  so hard to pre­pare for Cold­play. In fact, I’d for­got­ten all about Metron­omy and the only rea­son I remem­bered The Pierces was that I was sent an email about the group by its publicist.

Prior to the con­cert, I’d called Rogers Arena about reserv­ing a space in the hand­i­capped area. Thus assured I had a space under my name, my friend Tommy Kuzsel and I drove to Rogers Arena. The gate keeper didn’t know any­thing about hand­i­capped park­ing, so time was con­sumed con­vinc­ing her we were allowed and had reserved a space, waited for an ele­va­tor. Then, we asked Rogers’ secu­rity about where we were assigned to park. Secu­rity didn’t know any more than the gate­keeper. We were led to Will Call and used up more time, waited for an ele­va­tor to take us up to our floor, slowly walked the 12 sec­tions to 118. By the time we reached our seats, The Pierces had been and gone. The lights went down and a band came on. Not know­ing The Pierces had played already and hav­ing com­pletely for­got­ten Metron­omy, I assumed this was The Pierces. Wrong.

It didn’t help that Metron­omy never intro­duced itself — or, if it did, I never heard such an announce­ment. The error was made and, despite the cir­cum­stances, I can’t hide from it.

It’s one of those things review­ers laugh about. There are sto­ries about review­ers cri­tiquing the open­ing act as the head­liner, oth­ers review­ing shows that never hap­pened. Poor schmuck, we think, and snig­ger. As well, such a mis­take under­mines cred­i­bil­ity in the pub­lic eye. Not to say it also erodes the reviewer’s confidence.

I might be too self-conscious. I’ve con­fessed my guilt to oth­ers who have con­cluded that this is no big deal. Yet, it is to The Pierces and it is to me.

If were to do this again, I’d rec­om­mend The Pierces and skip Metronomy.

 

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